�Preeclampsia, a condition that causes high blood pressure and other problems in about 5% of pregnancies, can significantly increase risk of development kidney nonstarter later in life, according to a study published on Thursday in the New England Journal of Medicine, Reuters/Boston Globe reports.
For the study, Bjorn Vikse of the University of Berlin examined 2 databases to determine the relationship between preeclampsia in pregnancies and the subsequent development of end-stage renal disease, or ESRD. Among all women who had given birth, the yearbook risk for ESRD was one subject per 27,000 women, and the condition appeared an median of 18 years later, according to the study. Risk for ESRD increased by 4.7 times among women who highly-developed preeclampsia during their first-class honours degree pregnancy, by 6.4 times among women world Health Organization developed the condition during each of their two pregnancies and by 15.5 multiplication among women who highly-developed the condition during two of at least trey pregnancies, the study found.
The researchers wrote that the "absolute risk of ESRD in women wHO have had preeclampsia is low, [and] preeclampsia is a marker for an increased jeopardy of subsequent ESRD," adding, "The tie-up was stronger if the preeclamptic gestation resulted in a low birthweight or preterm infant." In addition, researchers wrote that whether preeclampsia helped caused ESRD, or whether an inherent factor caused both weather condition, remains undetermined (Emery, Reuters/Boston Globe, 8/21).
Reprinted with kind permission from http://www.nationalpartnership.org. You can view the entire Daily Women's Health Policy Report, search the archives, or sign up for electronic mail delivery here. The Daily Women's Health Policy Report is a free robert William Service of the National Partnership for Women & Families, published by The Advisory Board Company.
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Wednesday, 3 September 2008
Sunday, 24 August 2008
Download Accept mp3
 Artist: Accept: mp3 download Genre(s): Rock Metal: Heavy Rock: Hard-Rock Metal Other Discography:  Bestseller Year: 2000 Tracks: 18  All Areas - Worldwide Disc 2 Year: 1998 Tracks: 9  All Areas - Worldwide Disc 1 Year: 1998 Tracks: 11  Predator Year: 1996 Tracks: 12  Best Ballads Year: 1996 Tracks: 15  Death Row Year: 1994 Tracks: 15  Objection Overruled Year: 1993 Tracks: 11  Staying A Life Year: 1990 Tracks: 15  Eat The Heat Year: 1989 Tracks: 11  Russian Roulette Year: 1986 Tracks: 10  Hungry Years - Digital Remix Year: 1986 Tracks: 9  Metal Heart Year: 1985 Tracks: 10  Kaizoku-Ban: Live In Japan Year: 1985 Tracks: 6  Best Of Year: 1985 Tracks: 10  Balls To The Wall Year: 1984 Tracks: 10  Breaker Year: 1981 Tracks: 10  Accept Year: 1979 Tracks: 10 With their brutal, simple-minded riffs and aggressive, fast tempos, Accept was nonpareil of the top metal bands of the early '80s, and a major influence on the development of thresh. Led by the singular outspoken stylings of screeching banshee Udo Dirkschneider, the isthmus bad an instantly recognisable effectual and was infamous as one of the decade's fiercest alive acts of the Apostles. Despite recording two of the dress hat sullen metallic element albums of the tenner in Restless and Wild and Balls to the Wall, Accept remained as well intemperate and extreme for American audiences to embracement -- even when they tested to look down their deport with more melodic songs. Ultimately having conquered the catch one's breath of the world, simply with their career stalled in the U.S., Accept fell apart, and by the time they reunited previous age afterward there was cypher left for them to read. Singer Udo Dirkschneider formed Accept in his hometown of Solingen, Germany, in the early '70s, merely it wasn't until rather a few years later that the striation colonised on a more or less stable card, including guitarists Wolf Hoffman and Gerhard Wahl, bassist Peter Baltes, and drummer Frank Friedrich. A well-received functioning at the Rock Amrhein Festival in 1976 brought them national attention, and they finally obtained a recording contract after replacing Wahl with guitarist Jorg Fischer deuce old age later. Issued in 1979, their eponymous debut was bad produced, featured for the most part subpar songwriting, and did absolutely cypher for the radical. But with the arrival of new drummer Stefan Kaufmann prior to eighties much-improved I'm a Rebel, the isthmus had the concluding constituent they were looking for, and their popularity began growing by leaps and bounds. 1981's regular more than accomplished Breaker was engineered by Michael Wagener (wHO would go on to develop such major heavy stone acts as Motley Crue, Alice Cooper, and Ozzy Osbourne, among others) and continued to develop Accept's hallmark sound, featuring the massive crunch and tight precision of Hoffman and Fischer's guitars egg laying the origination for Dirkschneider's inimitable screeching -- kindred to Bon Scott on atomic number 2. They as well sign language a oecumenical manage with CBS Records foot soldier Portrait, and secured professional management from Gaby Hauke, wHO, under the Deaffy nom de guerre, would help the dance orchestra write most of their English lyrics from this full point forward. Despite Fischer's sudden departure by and by on a successful European tour load-bearing Judas Priest, the band was now poised to suppress Europe with their powerful Teutonic heavy metal. All the elements were falling into station, and with the release of 1982's Restless and Wild, Accept finally stamped their passports to stardom. A heavy metal milepost, the album broke the band's life history spacious open, naturalized their touch sound for old age to come, and in the unbelievable "Fast as a Shark," featured possibly the outset true thrash metal strain always recorded. Guitarist Hermann Frank was brought in for the ensuing hitch, which, thanks to their ferocious live shows (including choreographed headbanging level antics), turned the band into true stars all across Europe and the U.K. 1983's every bit revered Balls to the Wall was an even greater commercial-grade wallow, and qualified as unitary of the nigh obsessive, sexually explicit albums of all time. Led by the controversial title running, it stone-broke the band universal and earned them their first magazine headlines in America. Fischer was invited punt into the folding at this time, and the band embarked on a yearlong word hitch that took them as far as Japan and culminated in a triumphal show at the 1984 Castle Donington Monster of Rock Festival. With America at present looming in their slew, the dance orchestra distinct to hire producer Dieter Dirks (of Scorpions renown) to give 1985's Metal Heart a more than commercial-grade edge and supernumerary sense of tonal pattern. Also with U.S. audiences in mind, they abandoned the epicurean fetishes of releases past in favour of a much flatboat sexual tint and typical labored metallic element subject matter care the title track's apocalyptic vision. The results were sundry, for patch the record album for certain helped to further their cause in the States -- where they embarked upon a very successful tour sharing a double bill with Swiss hard bikers Krokus -- it tarnished their report among some of their loyal following back home. A unrecorded EP recorded in Japan entitled Kaizoku Ban kicked off the unexampled year, as the band fain to start work on their one-seventh record album, Russian Roulette, over again with Michael Wagener at the controls. A more or less rushed, half-hearted attack to double back into more belligerent alloy territory, the album lED to a serious chipping within the group, and subsequently headlining a sold-out European tour with Dokken in support, Accept proclaimed that they were taking an open-ended break so that Dirkschneider could record a solo project. Simply called U.D.O., the singer's first album, Animal House, was in reality written and performed by his erstwhile bandmates. But when .D.O. released a minute album, Hateful Machine, in 1988, backed by a new band, the left over members of Accept (Hans Fischer had left hand erstwhile over again) began trying tabu new vocalists, finally subsiding on American David Reece for 1989's Eat on the Heat. A lightweight metal album, it eager little resemblance to classical Accept, and the band's subsequent U.S. circuit (with secondment guitarist Jim Stacy) was first fitful when Kaufmann suffered a back wound (he was replaced by House of Lords' Ken Mary, so cut short due to poor just the ticket gross sales and increasing personality differences with Reece). The grouping eventually disbanded and, exclude for the spillage of 1990s Staying a Life (a live album featuring the original lineup in their prime), aught was heard of Accept for the next three days. To everyone's surprise, Dirkschneider, Hoffman, Baltes, and Kaufmann eventually reconvened in 1992 to record Objection Overruled, which fared comparatively well in Europe simply didn't regular gouge the alternative rock-dominated U.S. securities industry. The stripe continued to enlistment Europe and recorded periodically over the next few age, releasing Decease Row in 1994 and Predatory animal (featuring Damn Yankees drummer Michael Cartellone) in 1996. Their last world enlistment included swings through North and South America and terminated with a turn of sold-out engagements in Japan, later on which Accept officially called it a day. |
Mp3 Download: Willie And The Poor Boys
Thursday, 14 August 2008
Download Snowgoons
 Artist: Snowgoons: mp3 download Genre(s): Rock Blues Discography:  Joining Forces Year: 2007 Tracks: 1  German Lugers Year: 2007 Tracks: 18 German production team Snowgoons started in 1999, when longtime hip-hop fans Det and DJ Illegal teamed up in order to make beats together. In 2006, the duo, whose sound is often compared to the Wu-Tang Clan, added Torben and DJ Waxwork to their card, and after beingness signed to New York-based Babygrande Records, the Snowgoons debut album, German Lager, which featured rhymes from MCs like Celph Titled, Sean Price, Jus Allah, Chief Kamachi, MED, Rasco, and Wise Intelligent, among others, come to shelves early the following year. |
Wednesday, 6 August 2008
Friday, 27 June 2008
Mineral
Artist: Mineral
Genre(s):
Rock
Discography:
EndSerenading
Year: 1999
Tracks: 10
When Mineral skint up in 1998, they had been together for only four years and released only two full-lengths, yet their shaping of the indie careen landscape cannot be overstated. The Austin four-spot got together in 1994 and otiose no time in blanketing the land and cranking out 7"s, ab initio hook with the label of tourmates Christy Front Drive, The Audio Concept, and Caulfield Records. A zine editor program in Colorado, impressed with Mineral's groundbreaking blend of exponent and emotion, sent a 7" to the top dog of fledgeling Crank! Records, Jeff Matlow. The stripe standard perennial speech sound calls that twenty-four hours from Matlow, and so began a wedlock that would launch both label and band into tube fame. Mineral's number 1 full-length, The Power of Failing, was a powerful success and divine a fanatical following among scenesters. The young band's hold of dynamics and thoughtful lyrics about coming of age as well influenced indie stone bands everywhere, as their sound still permeates across the subway system. End Serenading turned out to be the end for Mineral, which had agreed to do its succeeding record with Interscope, a record that never happened. Still only in their other twenties, bandmembers affected onto new projects: singer/guitarist Chris Simpson and bassist Jeremy Gomez began the Gloria Record and drummer Gabe Wiley linked Pop Unknown.
Thursday, 19 June 2008
Coldplay Refute 'Viva La Vida' Plagiarism Claims
Coldplay have refuted claims that they lifted the melody for 'Viva La Vida', the title track from their new album, from a song by an American indie band.
Andrew Hoepfner, the frontman of Creaky Boards, claimed that Coldplay's Chris Martin saw the band live last summer and then went on to use the melody from one of their songs.
However, in a statement, a spokesperson for Coldplay said that 'Viva La Vida' was written in March 2007, months before Martin apparently saw the band.
Hoepfner posted a video of Creaky Boards song, ironically entitled 'The Songs I Didn't Write', on the video sharing website YouTube.
"We were flattered when we thought we saw Chris Martin in the crowd that night. He seemed pretty into it. Maybe too into it,” he wrote.
'Viva La Vida' went straight in at number one yesterday (June 15th), selling 302,000 copies in just three days.
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Saturday, 7 June 2008
Jack Black Gets Slim & Trim
There's a little less of Jack Black to go around these days!
The lovably rotund star looks particularly trimmed and fit in his upcoming Vietnman War comedy, Tropic Thunder, and there's a definite reason for that. After getting more than an eyeful of himself on a 40-foot screen, Jack decided it was time to cut the fat.
"When I saw my rear end in my nude scene in Margot at the Wedding, it actually had a double chin," he tells Parade.com. "I�ve joined a gym because the next time you see me naked I�ll be trim."
Although looking good in nude scenes is priority No. 1, health played a factor in the 38-year-old's decision as well.
"I want to feel good too," he says. "Now If I eat a cheeseburger and fries, it tastes so good at the time and then right after it�s like, �What did I do? Why?�"
Tropic Thunder, co-starring Ben Stiller (who also directed the film) and Robert Downey Jr. revolves around three actors filming a movie about the Vietnam War. Craziness ensues when their director ditches them mid-production.
"I play kind of a Chris Farley-esque type , an actor, who is big into the excesses of the industry," Jack says of his character, Jeff "Fats" Portnoy. "He parties too hard. It�s about shooting a film about the Vietnam War film in Hawaii. My character is looking for a shot at an Oscar because usually he makes fart comedies. Come to think of it, I guess it kind of mirrors my actual reality."
The film hits theaters Aug. 15, but those longing for a dose of Black attack can check out the comedian in the animated Kung Fu Panda, which opened today. Since it was a voice role, Jack, who just welcomed his second son, did not get the chance to learn some martial arts and kick some ass -- but he has in the past!
"When I was a kid, I took karate and judo classes," he says. "I even won a trophy in a judo tournament, but I confess I outweighed the competition by 20 pounds. I never took any kung-fu classes though, I just saw it on TV and in the movies."
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